With the final(?) installment of this series I'll close with a description of Sai Youth and their 'rock & roll' development.
At
the outset I'll be very clear and say that the Sai Youth are by
definition of a young age and so it is not abnormal for them to have
hobbies, interests and music tastes that reflect their interaction with
the world at large. It is also very common for youngsters to listen to
the type of music enjoyed by their peer group even though they may not
necessarily like it themselves. Consequently there isn't much to write
by way of having a "shock" factor, unlike the recent
Sex and
Drugs articles, except just to relate my own experiences in this area.
You'd
think that Sai Baba, with all of his exhortations to listen to bhajans
and to engage in group chanting/singing of the names of God would be
impressed with the current crop of the Youth Wing? Nay, he'd be
horrified to see his tender saplings nourish their (spiritual!) growth
by partaking of gangsta rap, trip-hop, trance, happy hardcore, house,
dance, and a host of other styles of music. At least that's what was in
vogue at the time of my leaving the Sai Organisation, I have no idea
what crap they must be listening to these days.
For those who are
not in the know, gangsta-rap is a particularly violent form of hip-hop.
The vast majority of gangsta songs concentrates on themes that glorify
gang violence, sexual objectification of women, alcohol, drugs, fast
cars, and the like. Trip-hop, trance and happy hardcore are types of
electronica that can only be understood and appreciated while under the
influence of drugs such as Ecstasy or LSD. Dance is, well, dance, a type
of electronica that I thought as relatively harmless and enjoyable to
listen to until I found out that bands such as
The Prodigy were listed in that genre.
Ah,
The Prodigy. I thought it was a great day when their third album was
released. This band had enjoyed more than it's fair share of controvery
in it's heyday, primarily due to their offstage behaviour and
drunken/druggie antics. Not least producing songs with creative titles
such as:
- Their Law
- Poison
- Firestarter
- Smack My Bitch Up
Unsurprisingly,
that last track received an instant ban upon it's release - the single
(with just one notable lyric that urged violence against women) was
never broadcasted on radio, and the music video (which featured graphic
scenes of cocaine-snorting, drunkenness, vomiting and lesbian sex) was
never aired until at least three years later. Naturally, a ban brings
instant notoriety (as if they weren't notorious enough to begin with!)
and their third album went straight in at No. 1 in the Dance Chart. I'll
admit that I quite liked The Prodigy and managed to acquire a cassette
of their album as well as several Indian remixes of 'Firestarter'.
If
any of the above was not clear enough, just take a look at a typical
picture of the Prodigy's frontman, Keith Flint, which may go some way in
explaining exactly why this band was considered extreme and offensive:
Lovely chap eh? Just the type you'd bring home to meet the parents.
The
funny thing is that, I played one Indian remix tape in the car of a
fellow Youth devotee and all the boys went crazy over it. They were
specifically disappointed when the 'Firestarter' music stopped and
switched over to the Hindi lyrics. It only left me wondering why they
enjoyed it so much. Hey, I was aware of my own "depravity" in listening
to The Prodigy, but why is a Sai devotee who has life-size pictures of
Sai Baba at home that shower holy ash listening to such a shocking band?
And if that wasn't enough, "Mike" asked to borrow my Prodigy tape. Yes, the same Mike who attempted to initiate the drug deal at the Sai Center. He never gave the tape back either.
It goes without saying that Sai Baba would never
approve of these types of music. If he had it his way he'd arrange for
his own bhajans to be pumped through the speakers 24/7. Why, whenever he
gives a discourse it is broadcast live all around the ashram! You don't
even have to attend the event and you can happily catch every word
while munching on a veg-roll from the ashram bakery. It's so loud
though, I'm surprised that the stray dogs who plague the ashram don't
bark back in anger.
It is a common sight to see young devotees at Sai Baba's ashrams even now
with walkmans, discmans, and what have you. Although I haven't been
there for the last six years, I'm absolutely sure that there will be
iPods aplenty. Whenever I had casually asked these devotees what they
were listening to, nine times out of ten it would be something
'mundane'. One fellow Britisher told me (in 1994) that he was listening
to Bob Marley. Doesn't seem very much inspiration for a spiritual
pilgrimage, does it? No wonder Sai Baba spits venom now and then about
how his devotees do not follow his teachings.
--)-/--\-(--
For
the record, my own tastes in music vary greatly. I am equally at ease
with the beautiful Sufi qawallis of Ustad Nusrat Fateh Ali Khan to the
crash boom bang of heavy rock. As I had missed out on a lot of 'normal'
teenage experiences during my time as a Sai devotee, I attended my first
rock concert in November 2005 at the age of 27. It was a part of
Motörhead's 30th Anniversary Tour and it was definitely an experience
that I'll be having again. :-)
Copyright © Sai Baba Exposed 2005-2006.